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The World of Teruo Sato Index ; For Narrow Band

Preface Written and summarized by Taketoshi Murayama             
Translated by Chigusa Tanzawa

First Part: Work Written, summarized and translated by Taketoshi Murayama
Original translation is rewritten by Michiko Takahashi Christofis
1 Implement of the painter
2 Teruo Sato's work
3 The portrait
1 Why wasn't a still life picture drawn by Sato?
2 Why wasn't a self-portrait pictured by Sato?
3 Why wasn't "Clothed Maja" pictured by Sato?
4 The landscape
4 Why wasn't genre picture drawn by Sato?
5 The integrated picture
5 Why wasn't a Japanese culture pictured by Sato?
The latter half

Second Part: Person Written, summarized and translated by Taketoshi Murayama
Original translation is rewritten by Tomoko Daijo McLean
Introduction
1 Training period
The latter half
2 Establishment of the original style of painting
1 Outline
2 The Token on Wilderness Inside of Myself
3 Self-portrait
4 Non Self-portrait
5 The painting of the sea
3 About the Four Special Works of Sato
1 Frozen Port
2 View
3 The Formation of the Wilderness
4 At Dawn after Storm

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Third Part: Technique Written, summarized and translated by Taketoshi Murayama  
Original translation is rewritten by Chigusa Tanzawa
1 Introduction
2 Composition
1 General Remarks
2 The characteristics of Picture and Composition
3 The Composition of Sato
The latter half
4 The Use of Linear Perspective in Sato's Picture
‡@@Basic Style
‡A@Two-Point Perspective Picture
3 Color and Line
1 Introduction
2 Color
‡@ Initial Remarks
‡A Value
‡B Hue
‡C Chroma
3 Line
‡@ Initial Remarks
‡A Width
‡B Density
‡C Curvature
4 Matiere
1 Basic Concept
‡@ Initial Remarks
‡A Color Surface
‡B Figure and Ground
2 Matiere of Sato's picture
The second third
The last third

Glossary Written and translated by Taketoshi Murayama
Original translation is rewritten by Michiko Takahashi Christofis
Vol.1
Vol.2
Vol.3
Vol.4

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