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・Event gallery of Teruo Sato
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Thesis
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Thesis 1
〈Thinking on Space Art〉 for Narrow band
・Part 1 Principle for Narrow band
Chapter 1 Space Art and Time Art
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Chapter 2 Pure Art and Composite Art for Narrow band
Chapter 3  Primary Fine Art and Secondary Fine Art (1) for Narrow band
・Part 2 History for Narrow band
・Part 3 Manifesto for Narrow band
・Glossary 1 2 3 4 5 6 7 8 9  10 11 12 13

Thesis 2
〈The World of Teruo Sato〉For Narrow Band
・Preface For Narrow Band
・First part ; Work For Narrow Band
1, Implement of the painter  For Narrow Band
2, Teruo Sato's work  For Narrow Band
3, The portrait  For Narrow Band
(1) Why isn't a still life picture drawn by Sato?  For Narrow Band
(2) Why isn't a self-portrait pictured by Sato?  For Narrow Band
(3) Why isn't "Clothed Maja" pictured by Sato? For Narrow Band
4, The Landscape  For Narrow Band
(4) Why isn't a genre picture drawn by Sato?  For Narrow Band
5, The integrated picture  For Narrow Band
(5) Why isn't a Japanese culture pictured by Sato?  For Narrow Band
The Latter half  For Narrow Band
・Second part ; Person For Narrow Band
Introduction For Narrow Band
1,Training period For Narrow Band
The latter half For Narrow Band
2, The establishment of the original style of painting For Narrow Band
(1)Outline For Narrow Band
(2)About "The Token on Wilderness Inside of Myself" and other related works For Narrow Band
(3) The work of the self-portrait system For Narrow Band
(4)Non-self-portrait works For Narrow Band
(5)About the painting of the sea For Narrow Band
3,About the Four Special Works Sato For Narrow Band
(1)"Frozen Port" For Narrow Band
(2)"View" For Narrow Band
(3)"The Formation of the Wilderness For Narrow Band
(4)"At Dawn after Storm" For Narrow Band
・Third part ; Technique For Narrow Band
1,Introduction For Narrow Band
2,Composition For Narrow Band
(1) General Remarks For Narrow Band
(2)The characteristics of Picture and Composition For Narrow Band
(3) The Composition of Sato For Narrow Band
The Latter half For Narrow Band
(4)The Use of Linear Perspective in Sato's Picture For Narrow Band
@Basic Style For Narrow Band
ATwo-Point Perspective Picture For Narrow Band
3,Color and Line For Narrow Band
(1)Introduction For Narrow Band
(2) Color
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@Initial Remarks For Narrow Band
AValue For Narrow Band
BHue For Narrow Band
CChroma For Narrow Band
(3)Line For Narrow Band
@Initial Remarks For Narrow Band
AWidth of the Line For Narrow Band
BDensity of the Line For Narrow Band
CCurvature of the Line For Narrow Band
3,Matiere For Narrow Band
(1)Basic Concept For Narrow Band
@Initial Remarks For Narrow Band
AColor Surface For Narrow Band
BFigure and Ground For Narrow Band
(2)Matiere of Sato's picture For Narrow Band
The second third For Narrow Band
The last third
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・Glossary 1 2 3 4
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